“This story would probably utilize some of the Magneto story because it deals with a young Magneto, so it might supersede that because this would explore that relationship between a young energetic professor and a disenfranchised victim of the Holocaust.” Singer explained in 2009 that the story for First Class “superseded” the Magneto prequel: It’s likely for this reason that the idea of making a full-on Magneto prequel was scrapped, but the other hiccup here was that Singer’s idea for X-Men: First Class covered similar territory, and with Singer aboard the film was now the top priority for the franchise. But it was a great experience and it was an honor to work on it."Īt this same time X-Men Origins: Wolverine was seen as a massive failure, and so Fox was defaulting back to safety mode to ensure they hadn’t just killed their lucrative franchise. If he wants to make an X-Men movie, they make his X-Men movie. Bryan Singer came onboard the movie, who's the best possible guy to direct the X-Men movies, and he wanted to make a very different kind of movie. But Singer had his own treatment for First Class, and Schwartz ended up leaving the project, explaining in 2010 that he and Singer wanted to make two very different movies: He had previously bailed on The Last Stand to instead make Superman Returns for Warner Bros, but following a break after his dramatic film Valkyrie, he was keen on returning to the X-Men franchise. Then in December 2009, 20th Century Fox brought Bryan Singer back to the X-Men franchise as the director of X-Men: First Class. creator Josh Schwartz was hired to write an adaptation in 2008 given his experience writing engaging teenaged characters on the hit FOX series.
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All was on track to start production in Australia in 2009, but the writers strike and the harshly negative response to X-Men Origins: Wolverine (which hit theaters in May 2009) put a halt to those plans, and the film went back into development.Īt the same time, Fox was still keen on making a movie following younger mutants, and producer Simon Kinberg suggested they adapt the First Class comics. Goyer ( Blade: Trinity) signed on to direct the Magneto movie, and Ian McKellen was poised to reprise his role in scenes that would open and close the movie while a new actor would take on the mantle of young Magneto. The story would find him crossing paths with Charles Xavier, who would be introduced as a young soldier involved in the liberation of the camp, and the two would spark a friendship. RELATED: Every 'X-Men' Movie Ranked From Worst to BestĪs reported in 2004, X-Men Origins: Magneto was planned as “ The Pianist meets X-Men” with Turner craftig a story that would span 1939 to 1955 and would follow Magneto during World War II trying to survive Auschwitz.
The Wolverine film took precedence as Jackman’s character had become the de facto protagonist of the X-Men movies and was insanely popular, and X-Men Origins: Wolverine was born. In 2004, David Benioff (you know, the guy who would go on to co-run Game of Thrones) signed on to write a Wolverine prequel movie and Sheldon Turner ( Up in the Air) opted to tackle a Magneto prequel movie. In 2006, screenwriter Zak Penn who worked on The Last Stand was officially hired to write a spinoff focusing on young X-Men characters.Īt the same time, Fox was working on getting some prequel origin movies off the ground.
The idea for X-Men: First Class originated back during the making of X2, when franchise producer Lauren Schuler Donner sparked to the idea of focusing on a younger group of X-Men mutants.
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But a series of changes and one big misfire morphed the planned Magneto origin movie into 2011’s X-Men: First Class, resulting in one of the best X-Men movies ever made. This led 20th Century Fox to start thinking about ways to extend the longevity of the X-Men franchise, and their earliest plan was to create a series of prequels that would unveil the backstories of characters like Charles Xavier and Magneto. By the time 2006’s X-Men: The Last Stand rolled around, the box office for this franchise was climbing to its highest heights while Hugh Jackman was firmly a breakout star for his role as Wolverine.
The first X-Men movie helped jump-start the current crop of superhero movies with its grounded-in-reality approach to the Marvel Comics characters, and 2003’s highly anticipated sequel X2 was a dang phenomenon, being hailed as one of the best sequels ever made. While the current blockbuster landscape is dominated by the heroes of the Marvel Cinematic Universe and other larger-than-life figures, it’s tough to explain to those under the age of 20 just how big of a deal the X-Men franchise was back in the 2000s.
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